A New movies proposal by like this way ;with little script of experiences our false & true mixing past like boring star being for us
One idea arrested!
coming soon !
with new face! shortly!
ADVENTURE WITH NEW TEST OF LIFE WITH MORE REALTY SEARCHING!
CONNECTING PEOPLE!
SPONSOR BY Bsnl India!
etc etc!by enclosing our opinion and with your valuable story writing within onea4 size paper!
with writing art or true photography !
send us!
from new next month !
AN email id will be distributed with enclose
at last day of this month! FROM SOURCE OF THIS ID! A DUPLICITY FALL A ORIGINAL FACE COME FROM A ORIGINAL SPIRIT ONE!
FOR GLITTERING EYES!
Durga Khote (January 14, 1905−September 22, 1991) was an
Indian actress, starting as one of the foremost leading ladies of her
times, she remained active in Hindi and Marathi cinema, as well as theatre, for over 50 years, starring in around 200 films and numerous theatre productions.
In 2000, in a millennium issue, India Today named her among "100 People Who Shaped India", noting, "Durga Khote marks the pioneering phase for woman in Indian Cinema"[1] as she was one of the first women from respectable families to enter the film industry, thus breaking a social taboo.[2]
She also ranks among the top ten actresses in mother roles in Hindi cinema,[3] most notable among them were as Jodhabai in K. Asif's Mughal-e-Azam (1960), as Kaikeyi in Vijay Bhatt's classic, Bharat Milap (1942); her other memorable roles as mother were in Charnon Ki Dasi (1941), Mirza Ghalib, Bobby (1973) and Bidaai (1974). She was received the highest award in Indian cinema, the Dadasaheb Phalke Award (1983), for lifetime contribution to Indian cinema.
By the age of 26, Durga Khote was a widowed mother with two young sons, Bakul and Harin. She had to seek work in film to support her children. In doing so, she became a pioneer of sorts: She hailed from a traditional family and the film industry was regarded as the preserve of the base and the bawdy. Also, most of the female characters were played by men at the time.
Khote as Taramati in Ayodhyecha Raja.
Durga Khote debuted in a minor role in an obscure 1931 silent film, Farebi Jaal, by the Prabhat Film Company, followed by Maya Machhindra (1932). She was soon promoted to play heroine in the 1932 double version (Hindi and Marathi) Ayodhyecha Raja, another Prabhat film, which was the first-ever Marathi talkie and proved to be a runaway hit, where she essayed the role of Rani Taramati.[5] There was no looking back for the diffident widow from Kolhapur after that. Indeed, she ventured yet another pioneering trend: Despite working closely with Prabhat Film Company,
she broke away from the "studio system" (exclusive contract with a
studio to work in its films on a monthly salary) then in vogue and
became one of the first "freelance" artistes of that era by working
occasionally with the New Theatres, East India Film Co. (both at Calcutta), and Prakash Pictures.
In 1937, she produced and directed a film titled Saathi, making her one of the first women to step into this role in Indian cinema.[6] The 40s opened for her in a big way, with award-winning performances in Aachary Atre's Payachi dasi(Marathi) and Charnon Ki Dasi (Hindi) (1941) and Vijay Bhatt's classic, Bharat Milap (1942), both of which got her the BFJA Best Actress Award for two consecutive years.
Durga Khote remained active in theatre circuit for many years, especially the Marathi theatre in Bombay. She was actively associated with the Indian People's Theatre Association (IPTA) and worked in several plays for the Mumbai Marathi Sahitya Sangh. In 1954, she famously performed the role of Lady Macbeth, in V.V. Shirwadkar's Marathi adaptations of Macbeth, as Rajmukut, The Royal Crown, along with Nanasaheb Phatak.[7]
One idea arrested!
coming soon !
with new face! shortly!
ADVENTURE WITH NEW TEST OF LIFE WITH MORE REALTY SEARCHING!
CONNECTING PEOPLE!
SPONSOR BY Bsnl India!
with writing art or true photography !
send us!
from new next month !
AN email id will be distributed with enclose
at last day of this month! FROM SOURCE OF THIS ID! A DUPLICITY FALL A ORIGINAL FACE COME FROM A ORIGINAL SPIRIT ONE!
FOR GLITTERING EYES!
Durga Khote
From Wikipedia, the free encyclopedia
| Durga Khote | |
|---|---|
Khote in Amar Jyoti (1936)
|
|
| Native name | दुर्गा खोटे |
| Born | January 14, 1905 Bombay, Bombay Presidency, British India |
| Died | September 22, 1991 (aged 86) Mumbai, Maharashtra. India |
| Occupation | actor, film producer |
| Years active | 1931−1983 |
In 2000, in a millennium issue, India Today named her among "100 People Who Shaped India", noting, "Durga Khote marks the pioneering phase for woman in Indian Cinema"[1] as she was one of the first women from respectable families to enter the film industry, thus breaking a social taboo.[2]
She also ranks among the top ten actresses in mother roles in Hindi cinema,[3] most notable among them were as Jodhabai in K. Asif's Mughal-e-Azam (1960), as Kaikeyi in Vijay Bhatt's classic, Bharat Milap (1942); her other memorable roles as mother were in Charnon Ki Dasi (1941), Mirza Ghalib, Bobby (1973) and Bidaai (1974). She was received the highest award in Indian cinema, the Dadasaheb Phalke Award (1983), for lifetime contribution to Indian cinema.
Contents
Early life
She was born as Vita Laud in present-day Maharashtra. She was educated at Cathedral High School and St. Xavier’s College where she studied B.A. While still in college, she married into the Khote family, graduated and settled down with her husband.[4]By the age of 26, Durga Khote was a widowed mother with two young sons, Bakul and Harin. She had to seek work in film to support her children. In doing so, she became a pioneer of sorts: She hailed from a traditional family and the film industry was regarded as the preserve of the base and the bawdy. Also, most of the female characters were played by men at the time.
Early career
In 1937, she produced and directed a film titled Saathi, making her one of the first women to step into this role in Indian cinema.[6] The 40s opened for her in a big way, with award-winning performances in Aachary Atre's Payachi dasi(Marathi) and Charnon Ki Dasi (Hindi) (1941) and Vijay Bhatt's classic, Bharat Milap (1942), both of which got her the BFJA Best Actress Award for two consecutive years.
Durga Khote remained active in theatre circuit for many years, especially the Marathi theatre in Bombay. She was actively associated with the Indian People's Theatre Association (IPTA) and worked in several plays for the Mumbai Marathi Sahitya Sangh. In 1954, she famously performed the role of Lady Macbeth, in V.V. Shirwadkar's Marathi adaptations of Macbeth, as Rajmukut, The Royal Crown, along with Nanasaheb Phatak.[7]
No comments:
Post a Comment